Events
In 2023 I received my PhD in Historical Musicology from New York University.
My dissertation was entitled "The Geopolitics of Voice: Sound, Music, and Language in Early American Settler Colonialism" and focused on the discourses of philology, land, law, and science in the institutions and ideologies of British-colonial and early-U.S. dispossession, from the seventeenth century to the advent of the federal boarding school system in the late nineteenth century.
Academic publications:
"Opera and Land: Settler Colonialism and the Geopolitics of Music at the Carlisle Indian Industrial School, 1879-1909,"
Journal of the Society for American Music (forthcoming)
"Key Term: Autonomy" in
Key Terms in Music Theory for Anti-Racist Scholars, Jade Conlee and Tatiana Koike, eds. (forthcoming)
"Conjuring Abolition Phonography in
A Record Album Interpretation,"
TDR: The Drama Review (2020)
Book reviews and alternative formats
“Why Resonance? A Response to Julie Beth Napolin’s
The Fact of Resonance: Modernist Acoustics and Narrative Form (New York: Fordham University Press, 2020),”
Syndicate online forum (forthcoming)
“REVIEW: Martha Feldman and Judith T. Zeitlin, editors.
The Voice as Something More: Essays Towards Materiality. Chicago: University of Chicago Press, 2019.”
Revue de musicologie (2021)
“REVIEW: Dylan Robinson,
Hungry Listening: Resonant Theory for Indigenous Sound Studies. Minneapolis: University of Minnesota Press, 2020.”
Current Musicology (2021)
Please feel free to contact me for copies of any of these.
Full CV available upon request.